Digital Program

Welcome to the Austin Gay Men’s Chorus Spring Concert, “Freedom, Unfinished: From Reckoning to Joy”. This concert will last approximately 2 hours including a 15 minute intermission.

Table of Contents

(Tap to jump to each section)

A Special Foreword from
The Last Seven Words of the Unarmed Composer, Joel Thompson

In the last 10 years, the social and political landscape of this country has been overwhelmed by metastases of cruelty, hatred, and fear. It feels even more dangerous to sing this piece now than it did in 2015 when it premiered.

We have since heard the echoes of Eric Garner's last words in the dying breath of George Floyd. We have seen pledges to change and the ensuing backlash against those same pledges. We now see a willful self-induced amnesia of our country's past sins and a purposeful blindness to our precarious fascist present, so it seems selfish and cruel at this point to consider bringing another Black child into this world. But that despair evaporates when I realize that my very existence is evidence of the impossible hope of my ancestors who were stolen from everything they had ever known, crammed into the hull of a ship and smuggled to another world.

It is that hope that sustains me now and it is the hope that we all need to persist and resist in this unjust world. Seven Last Words of the Unarmed is still a difficult listen, but I invite you today to hold on to the hope that this piece will no longer be relevant 10 years from now.

Let us sing it until that day comes.

Program Setlist

THE LAST WORDS OF DAVID
Randall Thompson

FREEDOM
arr. Sharon Udoh

FROM THE TESTAMENT OF FREEDOM
Randall Thompson

I. The God Who Gave Us Life

FROM THE SEVEN LAST WORDS OF THE UNARMED
Joel Thompson

I. Kenneth Chamberlain

II. Trayvon Martin

III. Amadou Diallo
(TAKE NOTE! FT. DANNY MCKAY)

VII. Eric Garner

FROM THE TESTAMENT OF FREEDOM
Randall Thompson

IV. I Shall Not Die Without a Hope

GLORY FROM SELMA.
arr. Eugene Rogers

FT. AUSTIN POWELL, ZACHARIAH WHITED,
NIC KEY, ANDREW ENGROFF, AND SIMON GUO

INTERMISSION

UNTIL ALL OF US ARE FREE
Mark Burrows

FT. ERIC WYATT

BELLOW
Moira Smiley

TAKE NOTE!

RISE UP
arr. Chad Weirick

FT. SCOTT WALLACE AND JUSTYN FLORIE

THE DOG DAYS ARE OVER
arr. Charlie Beale

FT. SIMON GUO

A CHANGE IS GONNA COME
David Maddux

THEY CANNOT ERASE US
Pax Ressler

FT. FINN MCMILLAN, ATLAS WOODS-SMITH,

ADRIAN LANCASTER, AND LU VILLARREAL

WE SHALL BE FREE
arr. Dave Volpe

TAKE NOTE! Ft. DOUGLAS HALLAM

FREEDOM! ‘90
arr. Steve Milloy

FT. WALKER ZUPAN

Orchestra

LAURAL BUTLER

VIOLIN I

AMY HARRIS

VIOLIN II

JOHN HOLGUIN

VIOLA

BRIGID DEVER

CELLO

GARY JAMES

BASS

ANDREW MALAY

WOODWINDS

RACHEL SPENCER

TRUMPET

ANDY HEGER

TROMBONE

ANDREW FUHRMAN

PERCUSSION

DOMINIC LEGEZA

PERCUSSION

KARL LOGUE

PIANO

AUDREY BARRETT

PIANO

Staff

THOMAS J. STANDISH-RINN

ARTISTIC DIRECTOR

J. CHRISTINE LINSCHOTEN

ASST ARTISTIC DIRECTOR

KARL LOGUE

ASSOCIATE DIRECTOR / PRINCIPAL ACCOMPANIST

ANDY HEGER

CHORUS MANAGER

JOE ROEL

COMMUNICATIONS DIRECTOR

DARIUS WILEY J

DIRECTOR OF CHOREOGRAPHY

JORGE IBARRA

DECORATIONS

DARRELL WIGGINS

COSTUMING

Dancers

Adrian Lancaster

Alejandro Aristizabal


Atlas Woods-Smith


Darius Wiley Jr.


Danny McKay


Johnny Vargas


Kevin Ebach


Lisa Fastow


Simon Guo

TAKE NOTE!

Adam Buttyan
Baritone

Andrew Engroff

Bass


Andy Heger

Baritone


Austin Powell

Tenor 1


Chad Hildal

Bass


Collie Roland

Tenor 1


Dakota Dively

Tenor 1


Dale Sandish

Tenor 2


Danny McKay
Tenor 2


Douglas Hallam

Baritone


Glen Langford

Tenor 2


Joe Roel

Baritone


Keith Hale

Bass


Mark Flores

Baritone


Nic Key

Tenor 2

Chorus

Letter from the Board Chair

On behalf of the Board of Directors, welcome to our Spring show, Freedom Unfinished. This show invites us to consider freedom as a journey that is still unfolding. 

During the past six decades, I have seen both the strides we have made, and the setbacks that remind us that true progress is an ideal that we must continue to work toward. Barriers have fallen, voices have risen, and communities have grown stronger through perseverance and hope.  Now, more than ever, we need to continue carrying that work forward, shaping a future where freedom belongs to all of us, in the fullest sense.

Thank you to our singers, artistic team, staff, volunteers, donors, and community partners whose dedication makes evenings like this possible. Most of all, thank you for being here. Your presence affirms the importance of our art, inclusion, and community. 

We hope tonight’s performance moves you, inspires you, and reminds you that the pursuit of freedom is ongoing - and that the ability to live authentically, while respecting and enhancing the freedom of others, remains one of its most powerful expressions.

My wish for us all tonight is peace, love, and light.

- Fred Lugo, AGMC Board Chair 

Letter from the Artistic Director

As a choral artist I often find that the greatest gift I can provide to both performers and audiences is the opportunity to use music to reflect on something bigger than themselves. In the community of queer choruses, we regularly advocate for marginalized voices. The history of our existence is rooted in this idea that creating a place of safety and significance is at the center of our mission. As we have grown and reacted to the community around us the vision of who we serve has developed and expanded. One small reflection of this is the diversity of gender and sexuality you see on stage in this concert. As I often communicate, we are not all gay and we are not all men in the Austin Gay Men’s Chorus.  

It is in this spirit that we offer Freedom Unfinished. As we celebrate the 250th anniversary of the signing of the Declaration of Independence, we offer this concert to honor the ideals on which this country was founded, while also examining who has been included in, and who has been excluded from, the privileges of freedom in America.

Part of our effort to engage in authentic dialogue with these artistic works lies in commissioning new works and arrangements for TTBB chorus. During the concert you will hear the world premieres of Mark Burrows's Until All of Us Are Free, Charlie Beale's arrangement of Dog Days Are Over, and David Maddux's arrangement of A Change Is Gonna Come. You will also hear new text created for Pax Ressler's They Cannot Erase Us, developed through a collaboration between our lyricist Joseph Shapiro and trans members of our chorus. These partnerships have deepened our artistic connection to these messages and provided another opportunity to widen the influence of these important works. 

At the heart of the program is a pairing of two landmark American works: Randall Thompson's The Testament of Freedom, setting the words of Thomas Jefferson on the occasion of the bicentennial of Jefferson's birth, and Joel Thompson's The Seven Last Words of the Unarmed, setting the words of seven young Black men who were killed by police. Together, they form a stark reminder that while Jefferson's words espouse lofty ideals, they were written by a man who enslaved other human beings. When he proclaimed life and liberty as divine rights, it is vital to recognize whom he was excluding and the lasting repercussions of that exclusion.

We reflect on this and other moments in our nation's history not as an endpoint, but as markers on a continuing journey toward the ideals this country was founded on. Ours is not only a somber program — we also sing with strength and defiance, and at times with joy, as we envision the future. In the words we sing of Emma Lazarus: "Until all of us are free, none of us are free." Two hundred and fifty years into the American experiment, our journey toward freedom remains unfinished. 

- Thomas J. Standish-Rinn, Artistic Director  

The Last Seven Words of the Unarmed

Joel Thompson

Dear Listener,

In November of 2014, a Staten Island grand jury chose not to indict the officer who murdered Eric Garner. To me, the message was clear: if I were to be killed in some interaction with authority figures, my loved ones should not expect justice. There could be a video recording of my futile attempts to describe my distress - “I can’t breathe” - with the arm of the law around my neck and the life fading from my eyes, and still, my death wouldn’t matter. My death wouldn’t matter enough to warrant a formal charge of even manslaughter or negligent homicide. This was not an isolated incident - this was a trend. The color of my skin is a capital offense. Seven Last Words of the Unarmed wasn’t written to be heard. It was essentially a sonic diary entry expressing my fear, anger, and grief in the wake of this tragedy. I was serving as a choral conductor at a small college in south Georgia, but I occasionally composed pieces and hid them away. Finishing this work in early January 2015 was a much-needed catharsis; I felt exorcised of the emotions that had drained my spirit. However, Freddie Gray’s death the following April impelled me to try to bring Seven Last Words of the Unarmed to life. A Facebook post asking musician friends to sightread the work, a phone call by a friend to Dr. Eugene Rogers of the University of Michigan, a commission from Andre Dowell to fully orchestrate the work for the 20th anniversary of the Sphinx Organization, and the piece is alive several years later and I am very grateful.

Liturgical settings of the Seven Last Words of Christ are not trying to demonize the Roman soldiers that orchestrated the crucifixion, but they are designed to stir within the listener an empathy towards the suffering of Jesus. Inspired by that template, this piece is a meditation on the lives of seven black men and an effort to focus on their humanity, which is often eradicated in the media in an attempt to justify their deaths.

Listening to Seven Last Words of the Unarmed can be uncomfortable. As you listen, I ask that you try to remain open. It can be easy to let a spirit of defensiveness pollute the experience of the piece. I ask that you revisit the last moments of these men with fresh hearts:

When the music is over, let us continue to listen. Let us listen to each other with love and hope for a more just future. Thank you.

With love,
Joel Thompson

Song Lyrics

(Tap each song to expand the lyrics)

Volunteer With Us!


Austin Gay Men’s Chorus continues to grow in both the number of singing and non-singing members that make up and run our organization, and that also includes our extended family of fabulous community volunteers that work along side us during our performances and community events. We depend on volunteers to keep things running smoothly. This includes one-time volunteers and our amazing returning volunteers.


We would love to have your help at our next performance. Email 
volunteer@atxgmc.org for details.

Join our email list to hear the latest about upcoming performances, community events, and opportunities to support AGMC.

Don’t Miss a Beat!

Check out our Merch Store!

Visit out merch store on Bonfire to keep up with the latest apparel, accessories, and must-haves!